review extracts

Like all fairy tales, it gives concrete form to your fear of primitive nature, where moral codes break down and unruly instinct takes over. (more...) Nadine Meisner, The Independent, September 2001

Seven Sisters Group make a living out of winkling the secrets from unlikely performance venues such as train stations, department stores and, in their new piece Forbidden, the Opera House's Clore Studio.
The group's ability to transform a place is impressive. Going into the Clore, you enter a disconcertingly murky maze of narrow, crooked paths, the forbidden forest of magica. (more...) (Judith Mackrell, The Guardian, September 2001)

...if ever a show were to send you over the edge, Salome is the one. (The Dancing Times, June 99)

seven sisters's road to Salome is not a comfortable ride, nor does it take the scenic route. But it's memorable, if you dare to go it alone. (Independent on Sunday, May 99))

Vivid memories guaranteed. (The Times, April 99)

...an array of riveting, beautifully confined images....succeeds in creating a sense of apprehension and excitement tinged with fear... (Evening Standard, April 99)

....creating the kind of connection between fact and fiction that's impossible to achieve in a theatre. (Ham and High, May 99)

...exerted a mesmerising pull on passers-by. (The Independent, June 98)

A show that had passangers scratching their heads in amazement...(Camden Chronicle, June 98)

Beyond the black box, article by Phoebe von Held for Dance Theatre Journal